Description
Designed by Mexican artisans at Daniel Orozco Estudio, this totem stool made of burnt solid wood is a celebration of materiality and rituals around totems.
This piece of furniture exudes a sense of elegance grounded by hands-on craftsmanship. The black burnt wood will add contrast and a strong anthropologic presence to your interior. A timeless stool to add authenticity and comfort to an indoor space such as a living room, a bedroom or an office space.
Discover the work of this inclusive collective studio based in Mexico. Daniel Orozco focuses his work on collaborating with local artisans and artists. He favors natural materials and unexpected forms to create sophisticated furniture for private and public interiors.
Daniel Orozco, a Mexican designer from Tulum, is recognized for his prophetic spirit and his ability to create subtle, inventive, and avant-garde interior spaces with a keen eye for detail. His living spaces are visually stunning, yet practical and comfortable.
Technical details :
Materials : Solid wood Totem, burnt-raw style, one piece.
Dimentions : Standard : 35 x 45 cm. Baby : 20 x 25 cm.
Handmade by : Mexican artisans.
Design by : Daniel Orozco
Lead time : 3 weeks
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Shipping prices may vary depending on location. Shipping rates are applied during check-out. Each piece is packaged with care in 100% recyclable or biodegradable material and double boxed. We ship via UPS Ground for all orders within the United States or Europe, and UPS Expedited for all international orders. For international orders, you will be charged by your country when the package goes through Customs. Since we cannot estimate these charges in advance Design to Society is not responsible for any fees charged by customs. For more information please view our Shipping Policy page or feel free to contact us with any questions at info@designtosociety.com.

The new series of light sculptures named Ambra combines volumes of ancient stones and aluminium. Centerpiece is the Mexican “Toba volcánica” stone that consists of minerals, glass and volcanic debris ejected one million years ago during severe eruptions. Fragments in the geometrical surfaces are testament to these explosions and movement.

The contrast between porous textures and smooth dark red underlines the studios contemporary approach on traditional materials and craft. The connecting components between the sculptural stone elements and the aluminium parts originate from an intensive research of linking unique handmade shapes with industrial parts.