Description
The design of this chair offers refined, clean and simple lines, which whisks us back and forth between two eras. Are we in the lavish boudoir of a 1940s actress or maybe in the dim light of a smoldering cabaret back in the Havana of the past century?
The double treated brass that covers the chair highlights its contrasts, perfection on the inside and imperfection on the outside, as though beauty could not exist without these two expressions.
This reference is available in limited stock.
Audrée L. Larose and Félix Guyon founded the design studio Larose Guyon in 2015 in Verchères, Quebec. Their arts breathe new life into design. All their creations are bathed in sobriety and finesse. Fleeing the city, they settled in Verchères, on the south shore of the St. Lawrence River, northeast of Montreal in a haven of peace surrounded by nature, expressing their creativity in complete freedom. This lush nature echoes their imagination. By adopting noble and voluptuous materials, shapes will be born through an intrepid, delicate design sprinkled with myth and heritage. Shaped by master craftsmen from the region using remarkable skill imbued with charm and ease day after day.
Technical details :
Dimensions: 18’’ x 19’’ x 30’’H
Materials: brass.
Finishes: aged brass, aged copper and black.
Design by : Larose Guton
Lead time : 4 weeks
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Shipping prices may vary depending on location. Shipping rates are applied during check-out. Each piece is packaged with care in 100% recyclable or biodegradable material and double boxed. We ship via UPS Ground for all orders within the United States or Europe, and UPS Expedited for all international orders. For international orders, you will be charged by your country when the package goes through Customs. Since we cannot estimate these charges in advance Design to Society is not responsible for any fees charged by customs. For more information please view our Shipping Policy page or feel free to contact us with any questions at info@designtosociety.com.
The new series of light sculptures named Ambra combines volumes of ancient stones and aluminium. Centerpiece is the Mexican “Toba volcánica” stone that consists of minerals, glass and volcanic debris ejected one million years ago during severe eruptions. Fragments in the geometrical surfaces are testament to these explosions and movement.
The contrast between porous textures and smooth dark red underlines the studios contemporary approach on traditional materials and craft. The connecting components between the sculptural stone elements and the aluminium parts originate from an intensive research of linking unique handmade shapes with industrial parts.
