Description
The SONIAH Oval Coffee Table embodies a balance between sculptural strength and organic poetry. Inspired by the sunflower — “soniah” in Ukrainian — this piece draws from deep symbols of light, renewal, and grounding.
Its soft, oval tabletop rests on a solid, stem-like base, evoking a plant rising from the soil — sturdy yet graceful. Crafted entirely from natural materials, such as clay or textured concrete (depending on the finish), SONIAH radiates a calming, almost meditative presence.
Victoria Yakusha is an architect, designer, and artist born in 1982 in Dnipro, Ukraine. She is the originator of the concept of "living design," a creative philosophy deeply rooted in the earth, nature, and Ukrainian cultural traditions.
In 2007, she graduated from the Prydniprovska State Academy of Architecture and furthered her studies in France at the National Institute of Applied Sciences (INSA). That same year, she founded her own architecture studio.
Technical details :
Materials : Ashwood
Color : Natural & black
Dimensions: 900 x 640 x 350 mm
Weight: 32 kg
Package: Plywood box 1020 x 755 x 770 mm, 41 kg
Origin : Ukraine
Design by : Victoria Yakusha
Lead time : 4 weeks
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Shipping prices may vary depending on location. Shipping rates are applied during check-out. Each piece is packaged with care in 100% recyclable or biodegradable material and double boxed. We ship via UPS Ground for all orders within the United States or Europe, and UPS Expedited for all international orders. For international orders, you will be charged by your country when the package goes through Customs. Since we cannot estimate these charges in advance Design to Society is not responsible for any fees charged by customs. For more information please view our Shipping Policy page or feel free to contact us with any questions at info@designtosociety.com.
The new series of light sculptures named Ambra combines volumes of ancient stones and aluminium. Centerpiece is the Mexican “Toba volcánica” stone that consists of minerals, glass and volcanic debris ejected one million years ago during severe eruptions. Fragments in the geometrical surfaces are testament to these explosions and movement.
The contrast between porous textures and smooth dark red underlines the studios contemporary approach on traditional materials and craft. The connecting components between the sculptural stone elements and the aluminium parts originate from an intensive research of linking unique handmade shapes with industrial parts.
